Julian Miran
​composer, microtonal music
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Teaching

2010-Present
2008-2010

2002-2008

2002-2005
2003

2003
1998-2001

1992-1998
1988-1989
1980-1988
1980-Present
Instructor: piano, ear-training, theory and harmony at Ottawa School of Music
Assistant Professor of Music: theory, harmony, counterpoint, analysis, music history, aural skills, piano and conducting at European University Cyprus
Instructor: theory, harmony, counterpoint, analysis, orchestration, composition and music software at The Community School of the Royal Conservatory of Music, Toronto
General musicianship and choral singing at La Citadelle International Academy of Arts and Science, Toronto
Intensive summer course in composition, ‘Summer Music by the Lake,’ at The Summer School of the Royal Conservatory of Music, Mississauga
Instructor: music technology at The Glenn Gould School of the Royal Conservatory of Music, Toronto
Instructor: theory, harmony, ear training, music history and music software at Ganatchian College of the Komitas State Conservatory, Yerevan
Substitute Professor of Music: analysis, orchestration, composition and music software at Université de Montréal
Instructor: piano and electronic keyboards at Italmélodie, Montréal
Instructor: piano, electronic keyboards, theory, ear training and music history at Conservatoire de Musique du Québec
Private Instruction: piano, ear training, theory, harmony, counterpoint, analysis, music history, orchestration, composition and music software (Royal Conservatory of Music curriculum)

Lectures

2010

2008
1997
1996
1994

1991

1989
1989
Armenian Modes at Conservatorio di Musica “S. Giacomantonio,” Cosenza, Italy
Xenakis’ Persephassa: A Rhythmic Analysis at Conservatorio di Musica “S. Giacomantonio,” Cosenza, Italy
Xenakis’ Life and Work: analytical aspects and audiovisual presentation at European University Cyprus
Heterophony and Electroacoustic Music: A Synthesis (Doctoral Dissertation) at Université de Montréal
Application of Armenian Modes and Non-Tempered Intervals in Contemporary Music at the Sayat Nova Symposium, Montréal
Computerized Processes in In Nomine at Université de Montréal
In Nomine pour ‘orchestre’ et ‘bande’ at Université de Montréal
Les instruments de musique dans l’iconographie arménienne at Université de Montréal
Le quatrième quatuor à cordes de Bartók at Université de Montréal
Sources and Transformations in Allô! C’est moi. Ça va? at Institute for Electroacoustic Music in Sweden
Presentation and analysis of J. Miran’s compositions at Gothenburg Conservatory, Sweden

Adjudicating

2005
2004 
External examiner and jury member for a doctoral dissertation in Composition at Université de Montréal
Jury member for Commissioning Grants (composers), and long-term Residencies (composers and conductors) at The Canada Council for the Arts, Ottawa