Teaching
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2010-Present
2008-2010 2002-2008 2002-2005 2003 2003 1998-2001 1992-1998 1988-1989 1980-1988 1980-Present |
Instructor: piano, ear-training, theory and harmony at Ottawa School of Music
Assistant Professor of Music: theory, harmony, counterpoint, analysis, music history, aural skills, piano and conducting at European University Cyprus Instructor: theory, harmony, counterpoint, analysis, orchestration, composition and music software at The Community School of the Royal Conservatory of Music, Toronto General musicianship and choral singing at La Citadelle International Academy of Arts and Science, Toronto Intensive summer course in composition, ‘Summer Music by the Lake,’ at The Summer School of the Royal Conservatory of Music, Mississauga Instructor: music technology at The Glenn Gould School of the Royal Conservatory of Music, Toronto Instructor: theory, harmony, ear training, music history and music software at Ganatchian College of the Komitas State Conservatory, Yerevan Substitute Professor of Music: analysis, orchestration, composition and music software at Université de Montréal Instructor: piano and electronic keyboards at Italmélodie, Montréal Instructor: piano, electronic keyboards, theory, ear training and music history at Conservatoire de Musique du Québec Private Instruction: piano, ear training, theory, harmony, counterpoint, analysis, music history, orchestration, composition and music software (Royal Conservatory of Music curriculum) |
Lectures
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2010
2008 1997 1996 1994 1991 1989 1989 |
Armenian Modes at Conservatorio di Musica “S. Giacomantonio,” Cosenza, Italy
Xenakis’ Persephassa: A Rhythmic Analysis at Conservatorio di Musica “S. Giacomantonio,” Cosenza, Italy Xenakis’ Life and Work: analytical aspects and audiovisual presentation at European University Cyprus Heterophony and Electroacoustic Music: A Synthesis (Doctoral Dissertation) at Université de Montréal Application of Armenian Modes and Non-Tempered Intervals in Contemporary Music at the Sayat Nova Symposium, Montréal Computerized Processes in In Nomine at Université de Montréal In Nomine pour ‘orchestre’ et ‘bande’ at Université de Montréal Les instruments de musique dans l’iconographie arménienne at Université de Montréal Le quatrième quatuor à cordes de Bartók at Université de Montréal Sources and Transformations in Allô! C’est moi. Ça va? at Institute for Electroacoustic Music in Sweden Presentation and analysis of J. Miran’s compositions at Gothenburg Conservatory, Sweden |
Adjudicating
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2005
2004 |
External examiner and jury member for a doctoral dissertation in Composition at Université de Montréal
Jury member for Commissioning Grants (composers), and long-term Residencies (composers and conductors) at The Canada Council for the Arts, Ottawa |